In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also c
The articles in Phenomenology and the Metaphysics of Sight explore the uses and resonances of the paradigm of sight across the phenomenological tradition, with
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand