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This book examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.
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This account of modernism and its place in public culture looks at where modernism was produced and how it was transmitted to particular audiences. The individu
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DIVArgues that the writers of the 30s and 40s--Hemingway, Ayn Rand, John Dos Passos, Gertrude Stein, Richard Wright, Wallace Stevens et al. -- identified and un
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Arguing that contemporary celebrity authors like Zadie Smith, Ian McEwan, Martin Amis, Kazuo Ishiguro, Salman Rushdie, Eimear McBride and Anna Burns position th
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Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with tra