In Music, Postcolonialism, and Gender, Leith Davis studies the construction of Irish national identity from the early eighteenth until the midnineteenth centuri
Focusing on runyege, the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance,
In studies of gender and sexuality in popular music, the concept of difference is often a crucial analytic used to detect social agency; however, the alternativ