Since its founding in 1964, the United Republic of Tanzania has used music, dance, and other cultural productions as ways of imagining and legitimizing the new
Rwanda: history and legend -- Performing justice: Gacaca, Frankfurt Auschwitz trials and the TRC -- Gacaca courts as Kubabarira: testimony, justice and reconcil
Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and repres
Performing the Nation in Interwar Germany argues that political aesthetics and mass spectacles were no invention of the Nazis but characterized the period from
Around the globe, dances that originate in village, temple, and court rituals have been adapted and transformed to carry secular meanings and serve new national