What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Ho
What, exactly, makes us afraid? Is it monsters, gore, the unknown? Perhaps it's a biblical sense of malice, lurking unnoticed in the corners of horror films. Ho
Dr. Schneider draws upon a detailed and telling analysis of eleven well-known horror stories: Dracula, Frankenstein, The Phantom of the Opera, The Fall of the H
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things arou
Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and s