Examines how and why religion matters in the history of modern American art. Andy Warhol is one of the best-known American artists of the twentieth century. He
Essays document the co-occurrence of mood disorders and creativity in artists and their families and the profound spiritual convictions held by many of the lead
Spiritual Despots by historian of religion J. Barton Scott zeroes in on the quaint term "priestcraft" to track anticlerical polemics in Britain and South Asia d
This book demonstrates that numerous prominent artists in every period of the modern era were expressing spiritual interests when they created celebrated works